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Rebecca King Ferraro and Michael Sean Breeden share a catch-up episode. Michael recounts recent travel and staging work: time at IU and Chicago, then Nashville for the premiere of Balanchine’s Allegro, reflecting on the ballet’s joy, difficulty, and the dancers’ investment, alongside mention of Miami City Ballet performing Allegro and Ashley Knox’s retirement. He returns to Royal Winnipeg Ballet to stage Alexei Ratmansky’s The Fairy’s Kiss, describing its personal significance, Ratmansky’s brief visit, and Ratmansky’s formative history in Winnipeg, including meeting a key supporter from that era. Michael also praises Houston Thomas’s Firebird. Now in Hamburg staging Justin Peck’s Copland Dance Episodes, he discusses seeing John Neumeier’s Cinderella and Lady of the Camellias and the company’s strong theatrical acting, with Alice in Wonderland also in repertory.